There’s some efficient sonic gimmickry, like the explosive mostly wordless chorus of “Empire,” along with glimmers of autobiography like “The One Thing,” praising the son that Shakira had in 2013 with her boyfriend, the soccer player Gerard Pique. “Shakira” is a style-hopping album that leaps from electronic dance music to reggae to folk-pop to distorted rock to, well, current country (in “Medicine,” a duet with Shakira’s fellow coach on “ The Voice,” Blake Shelton).
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The first single, “Can’t Remember to Forget You,” has guest vocals from the near-ubiquitous Rihanna, along with a ska-to-punk-pop buildup reminiscent of No Doubt.
NEWEST ENRIQUE IGLESIAS SONG FULL
It’s full of collaborations with songwriters and producers who have also abetted Justin Bieber, Britney Spears, One Direction and Carrie Underwood. “Shakira” (RCA/Sony Latin Iberia) is a determined hit seeker, with nearly all its songs in English.
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On their new albums, these Latin pop superstars stick to one international common denominator: love songs. Do they want to, as Shakira and Juanes have often done through the years, become a voice of conscience or aspiration for the people back home? This time, not so much. The singers weigh regional and cultural bonds, decide how and how much to broaden their music, and calculate what they have to say to a mass, mixed audience. Romeo Santos, the Dominican bachata singer who was born in the Bronx and was Aventura’s lead singer for 17 years, beat the rush by releasing his second solo studio album in February.Īll five albums juggle the demands and possibilities of international crossover.
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By some coincidence, arena-filling stars who tend to take years between releases emerged almost simultaneously with new albums: Shakira and Juanes, who are both from Colombia, Enrique Iglesias from Spain and the reggaeton rapper Wisin from Puerto Rico. March suddenly turned into Latin pop blockbuster season.